The Sustainability, Economic Sustainability And Social...

The terms Sustainable and Sustainability are used to describe many different approaches for improving our life. Sustainability is about people and culture, our environment, jobs or countries. Could be defended as an ability or capacity of something to be maintained or to sustain itself. It s about taking what we need to live now. There is many departments of sustainability but the main are three environmental sustainability, economic sustainability and social sustainability. The term sustainability in a business or company means a lot. Business sustainability is the management and coordination of environmental, social and finance demands and concerns to ensure responsible ethical and ongoing success. Sustainability is about good business and successful life improvement. Starbucks Company story began in 1971 with a single store in Seattle s pike Place Market. Starbucks named after mate in Herman Melville s Moby Dick and their logo is also by the sea, featuring a twin-tailed siren from Greek mythology. Their mission is to inspire and nature the human spirit - one person, one cup and more neighbourhood. Now Starbucks Corporation is the largest coffee house company in the world, with over 17000 stores in more than fifty countries, which they serve 50 million customers every week. That s why i choose Starbucks because first i love their coffee and second i was curious to learn, see and examine how can this company can be sustainably with 17000 stores all over the world.Show MoreRelatedThe Sustainability, Economic Sustainability And Social Sustainability1861 Words   |  8 PagesSustainable and Sustainability are used to describe many different approaches for improving our life. Sustainability is about people and culture, our environment, jobs or cou ntries. Could be defend as an ability or capacity of something to be maintained or to sustain itself. It s about taking what we need to live now. There is many departments of sustainability but the main are three environmental sustainability, economic sustainability and social sustainability. The term sustainability in a businessRead MoreCorporate Sustainability : Social And Economic Change Essay1753 Words   |  8 Pagesof the world’s largest companies own land and have ties with endless communities, so corporations are the forefront of social and economic change that will determine if our society can become sustainable. Since multinational business run the world, sustainability within business is a way to initiate major change in terms of our society’s opinion and commitment to sustainability. As Richard T. Watson states in his book Information Systems, â€Å"organizations are the major force for innovation in mostRead MoreEconomic, Environmental And Social Aspect Of Sustainability Essay1770 Words   |  8 PagesComparison Each site location has its pros and cons in terms of economic, environmental and social aspect of sustainability. Since this is a building site for University of Calgary to showcase sustainability, it is important that the building itself is sustainable. Various of criteria will be set in correspondence to these three aspects of sustainability to quantify the sustainable value of each site. Environmental Sustainability Figure 1. Site 1 Flood Zone and Green Area Figure 2. 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This incorporation is an important achievement, however it require a systematic approach which itself is a major challenge for organizations. Therefore, there is a significant need to acknowledge subject’s related to sustainability, which shouldRead MoreImportance of Sustainability in Organizations636 Words   |  3 PagesNever before has sustainability been more important on the corporate agenda. According to Bru ndtland Commission of the  United Nations (1987) sustainability is defined as operating in a way that preserves the long-term quality and productive capacity of both the natural and social environments in which a company operates. For humans, sustainability is defined as the potential for long-term maintenance of well being, which has environmental, economic, and social dimensions. Sustainability therefore involves: Read MoreThe Issue Of Sustainability Is Much Than Much More Than Just That The Earth s Population1259 Words   |  6 Pagesof sustainability. A simple description of the word means that what we have today we will also have tomorrow, next week, next year, or even the next lifetime. Although that is the modest version sustainability is much, much more than just that. Sustainability is derived from three main parts of the human life: environmental, social, and economic. Each being just as important as the other. Environmental is the most well-known aspect of sustainabili ty in human life, but both social and economic take

Psychoanalytic Analysis The Scarlet Letter - 1354 Words

Psychoanalytical Analysis Throughout The Scarlet Letter there are many Freudian symbolisms that can be found scattered throughout this American classic. In nearly every chapter there is at least one reference to a phallic or yonic symbols to demonstrate the longing for a male figure in both Pearl and Hester’s life, and the symbolism to depict the shift from id to ego. One of the earlier metaphors to symbolize Hester’s suppression is the scaffold that she stands upon in the first chapter of the novel. Hawthorne writes, â€Å"she [Hester] ascended a flight of wooden steps† (page 76). The ascension using wooden steps to get to the wooden scaffold is not only fairly accurate to the building materials for the time, but it is also a symbolism to represent Hester’s role throughout the rest of the novel. According to Freud, â€Å"The material out of which something is made, is at the same time its mother-part,† (Freud Symbolism). Hawthorne writes, â€Å"It was, in short, the platform of the pillory; and above it rose the framework of that instrument of discipline, so fashioned as to confine the human head in its tight grasp, and thus hold it up to the public gaze† (page 76). This particular line is littered with words that can be associated with what a penis looks like and how it is used. By using words like short, rose, and, this one is awkward, tight grasp, one can see the symbolism found in the symbolisms from just one line about the scaffold. This line represents that Hester isShow MoreRelatedNathaniel Hawthorne s The Mind1900 Words   |  8 PagesOld Manse in Concord, Massachusetts. Later into their successful marriage the decided to move to Salem, the Berkshires, then to The Wayside in Concord. Nathaniel Hawthorne was known for many of his writings but the most popular had to be The Scarlet Letter which was published in 1850, followed by a succession of other novels as well. Nathaniel Hawthorne was a very successful w riter, his writing consists of many elements like abnormal psychology, dreams, depression, bipolar disorder, schizophreniaRead MoreANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pagesï » ¿TEXT INTERPRETATION AND ANALYSIS The purpose of Text Interpretation and Analysis is a literary and linguistic commentary in which the reader explains what the text reveals under close examination. Any literary work is unique. It is created by the author in accordance with his vision and is permeated with his idea of the world. The reader’s interpretation is also highly individual and depends to a great extent on his knowledge and personal experience. That’s why one cannot lay down a fixed â€Å"model†Read MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesPhenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III Syntagmatic Analysis of the Image Track Chapter 6. Outline of the Autonomous Segments in Jacques Rozier s film Adieu Philippine, 149 Chapter 7. Syntagmatic Study of Jacques Rozier s Film Adieu Philippine, 177 vii viii CONTENTS IV The Modern Cinema: Some Theoretical

Moma Visit †Compare and Contrast Paintings Free Essays

string(97) " the upper half of the painting prevents â€Å"The Empire of Light, ii† from lacking in movement\." MoMA visit – Visual analysis Art is an effective way to express beauty. Artists have different ways to express their ideas and communicate nonverbally through their work. In the Early Modern Art period, artists were free to create their pieces in diverse ways that never had been done before. We will write a custom essay sample on Moma Visit – Compare and Contrast Paintings or any similar topic only for you Order Now For this essay, I chose the works of two artists of this period to compare and contrast so that the diversity of Modern art can be demonstrated. Even though Vincent Van Gogh and Rene Magritte was born forty five years apart from each other and had different styles, I am interested in analyzing â€Å"The Starry Night† (Vincent van Gogh) and â€Å"The Empire of Light, ii† (Rene Magritte) after my trip to the Museum of Modern Art. At the first analysis, I would like to discuss the famous painting â€Å"The Starry Night† (1889) by Van Gogh. This painting is in oil on canvas and has the dimensions of 73. 7  cm ? 92. 1  cm. Van Gogh depicts the town in Rhone under gaslight and reflected in the blue river. As it is displayed at MoMA, â€Å"The Starry Night† attracts a great number of visitors to its mysterious blue spirals. The focus of the painting is quite high as the first point drawn to the viewer is at the sky. The spirals meet with each other and the yellow stars are bright throughout the dark blue sky. Van Gogh uses thick brush strokes to draw the mysterious spirals, which occupy most of the center of the painting. The enormous spirals are reproduced images of moving waves in the ocean, but also induce a whirling movement. This technique plays a significant part to create the chaotically moving effect for the picture. Most people who see this picture for the first time feel that the whole scenery somehow shifts, even though it is a still life painting. Moving my view point from the mysterious spirals, I can see the big, extremely dark green cypress tree located in the right part of the picture. Cypress appears in Van gogh’s picture often such as in the â€Å"Cypresses† and â€Å"Wheatfield with cypresses. † Unlike these two pictures above, he uses similar sinuous curves tortured from full cycles one after another in this one to reproduce the brush stroke he uses in the spirals. In the bottom one third of the painting, Rhone town at midnight is peaceful in blue. The clearest part we can see at this town is the church and its bell tower. Although the church only consists of simple sketches, it seems to be the most complicated fragment in the painting. The bell tower points up to the sky and draws attention of the viewers to the spirals once again. Secondly, the next painting I would like to mention is â€Å"The Empire of Light ii† (1950) of Rene Magritte. Its dimensions are of 78. 8 x 99. 1 cm. Magritte wants to demonstrate a nocturnal scene under a daytime sky. When I first saw the painting, the initial thought that came through my mind was to admire the peaceful scenery of an ordinary small town. Then I noticed the paradox in the painting. The upper half of the painting is the light blue sky of a peaceful day with floating white clouds. However, the bottom half is a small town at midnight. Houses and trees are all covered with dark hue as if it is late at night. The town looks as if it has already gone to sleep. The thin and precise brush strokes that Magritte adroitly use make the picture look as real as a photo. The closer and longer I look at the painting, the more confused I become. The serenity of the deep-sleeping town, which is dimly lit by the antique street light, along with the floating clouds, makes me feel so calm and peaceful that I am persuaded into its reality. However, I am still able to notice the contrast between day and night in two halves of the painting. This confusion is the result of the eyes tricked to believe in what we see. The placement of day and night remarkably reminds us about our conscious mind that we use in everyday life, and about our lit unconscious mind that waits for us to use it to brighten our senses. This painting conceals Magritte’s psyche that â€Å"The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown. † On the one hand, there are similarities between two paintings that I notice. Firstly, both painters use oil on canvas for the paintings. They also have the approximate dimensions of about 70cmx95cm. Secondly, mystery is an important fact that makes the two paintings worth seeing. People cannot resist taking a look at the spirals and following the moving effect of the whole picture when seeing â€Å"The Starry Night. The spirals themselves are mysterious since they are echoed the movement of ocean waves. Similarly, ‘The Empire of Light, ii† makes spectators wonder the reality of a nocturnal scene of a small town under a sunny day. Their minds are tricked to believe in the true-to-life scene as well as to question the paradox. In addition, luminosity is created successfully in two painting s. In â€Å"The Starry Night†, the moon and the stars illuminate the sky as stars and moon are in concentric circles and contrary to the dark blue sky surrounding. The moon is placed at the top right corner of the painting, where the sun usually appears, and produces light together with the stars. Correspondingly, in Magritte’s, light comes from the title of the painting itself. The lamppost, as well as the windows’ dim light, creates the luminosity standing alone in the dark night. Finally, even though both paintings have no sign of human and animals, motion still appears clearly. The whole â€Å"Starry Night† is a chaos, moving and moving freely, while the floating clouds in the sunny sky in the upper half of the painting prevents â€Å"The Empire of Light, ii† from lacking in movement. You read "Moma Visit – Compare and Contrast Paintings" in category "Papers" On the other hand, each picture has its own quality. The first difference between the two paintings is the brush stroke. Vincent van Gogh uses the thick brush stroke in â€Å"The Starry Night,† especially when painting the spirals and the cypress, while Magritte’s extremely thin brush stroke appears everywhere in the painting. As a result, the surfaces of two paintings are different; rough in â€Å"The Starry Night† and smooth in â€Å"The Empire of light, ii. † Also, while â€Å"The Starry Night† has an open shape, â€Å"The Empire of Light, ii† is closed-shaped. In â€Å"Starry Night,† there are no edges coming between the stars and the sky. They just merge with one another and create a beautiful â€Å"Starry Night. † However, the thin brush strokes in â€Å"The Empire of Light† identify all objects distinctively. Edges are clear between houses; clouds and sky are clearly recognized. Thirdly, although both painters use blue, the hue, value and intensity are different. Blue is the spiritual color in â€Å"The starry night,† and Van Gogh uses blue that varies from the darkest in the town to the lightest in the inside of the spirals. Blue is also diverse in the sky, together with yellow to make a sky lively. Magritte, however, uses just one value of light blue to paint his sky in a sunny day and the sky looks serene. Last but not least, even though both paintings depict the same subject of a small town at midnight, each painting represents a different style. While â€Å"the starry night† of Van Gogh follows post-impressionism – a style that combines the elements of Impressionism with those of non-Europe to create their own way – â€Å"The Empire of Light, ii† of Magritte is surrealist, whose purposes are to describe the irrational, to examine perception and to create the word and image relationship. In conclusion, â€Å"The starry night† of Vincent van Gogh and â€Å"The Empire of Light, ii† are expressions of aesthetic values. The paintings, either post-impressionist or surrealist, represent the painters’ own way of self-expression and their own way to communicate with the spectators nonverbally. Reference 1. Van Gogh’s letters http://vangoghletters. org/vg/letters/let693/letter. html http://vangoghletters. org/vg/letters/let782/letter. html 2. Magritte’s quotes http://www. rene-magritte. org/rene-magritte-quotes. jsp 3. Other http://www. moma. org/collection/object. php? object_id=78456 http://www. all-art. rg/art_20th_century/magritte1. html The starry night – Vincent van Gogh The Empire of Light, ii – Rene Magritte Claude Monet – Contextual factors influenced his style Claude Monet (1840-1926) was a French artist, who was considered a leader of the Impressionism movement as this style was named after his painting  "Impression, Sunrise† (1872). He is one of the typical artists to mention when we discuss the Early Modern art era. I would like to analyze the contextual factors that affect his style of painting. First of all, the political circumstances in France from 1870s had effects on Monet’s style. During the Franco-Prussian War (1871-1872), Monet came to England with Pissarro for shelter. He met the dealer Durand Ruel, who then became a great advocator of the Impressionists. Also in England, Monet had chance to study the works of John Constable and Joseph Mallord William Turner, which inspired his innovations in study of colors. After spending a summer (1971) in Amsterdam, Holland, he returned to French, which was damaged by the civil war. He stayed in Argenteuil, which was an industrially growing town near the Seine river until 1878. From 1872-1878, Argenteuil was a center for Impressionist painters to gather after Monet published his painting â€Å"Impression, Sunrise† depicted the Seine river. In addition, innovations in painting manufacture were introduced in public in 19th century. In 1841, John Rahn invented the collapsible tin paint tube, which revolutionized the color palette and technique of  plein-air oil painting  by offering a range of pre-mixed colors in a convenient medium. This is a major factor to emerge Impressionism. Monet used this plein-air painting as a elementary principle of his art in 1860s,. He sought to combine his Realist investigation with the possibilities of creating a new style of painting. In the paintings produced at La Grenouillere at 1869, Monet found a way establish a challenging tension between appearances and painterly invention that proved sufficient basis for the developed Impressionist manner of the 1870s and after. In 1870s, Monet’s brush stroke became smaller and more diverse. He also tried to conduct experiments to control value contrasts. These experiments with color were played off against and within a traditional framework, essentially perspectives in nature. Finally, 19th century marked the emergence of photography, which had a major effect on Modern Art. In the first half of the century, cameras were introduced continuously and rapidly improved. For example, in 1814, Joseph Niepce used his  camera obscura  to take picture, but the image required eight hours of light exposure and later faded. In 1851, Frederick Scott Archer invented the  Collodion process, in which images required only two or three seconds of light exposure. Thus, painters were in need of seeking new techniques to innovate their painting. They had to prove that paintings might not be replaced by photos. Thus, Monet sought a way to break the old rules of traditional painting. His brush strokes became thinner; the closed shape in traditional painting became more open as the boundaries between objects were more obscure, as we can see in his â€Å"Impression, Sunrise. † According to the contemporary critics, the painting was rather a sketch than a complete work of art. However, this painting was the first impressionist to be presented. In conclusion, the political circumstances and developing technique are two crucial factors that affect the style of Monet Claude. After his first painting in 1972, Impressionism became his style for his later life. Work cited MoMA – Monet Claud’s biography http://www. moma. org/collection/artist. php? artist_id=4058 http://www. claude-monet. com/index. jsp House, John, et al. :  Monet in the 20th century, page 2, Yale University Press, 1998 http://www. visual-arts-cork. com/artist-paints/colour-palette-nineteenth-century. htm http://library. brown. edu/cds/paris/finearts. html#impressionism http://inventors. about. com/od/pstartinventions/a/Photography. htm How to cite Moma Visit – Compare and Contrast Paintings, Papers